All edward hopper 's Paintings
The Painting Names Are Sorted From A to Z


Choice ID Image  Paintings (From A to Z)       Details 
56612 automat  automat   mk248 en kvinna sirer ensam med en kopp kaffe. vi kan bara gissa att den tomma stolen mittemot betyder att bon vantar pa nagon eller bara skulle uppskatta att vem som belst gjorde benne sallskap. genom att placra bennei en odslig miljo dar folk bara associeras med varuautomater anvander sig hopper av distans ocb utanforskap malad ocb uppdiktad for att skapa en situation dar askadaren forestakker sig vad som ska banda.
95252 Chop Suey  Chop Suey   1929 Type Oil on canvas Dimensions 81.3 cm x 96.5 cm cyf
81152 Edward Hopper  Edward Hopper   Oil on canvas, the Whitney Museum of American Art, New York City Date 1909(1909) cyf
77856 Edward Hopper, Summer Interior  Edward Hopper, Summer Interior   Edward Hopper, Summer Interior, 1909, Oil on canvas, the Whitney Museum of American Art, New York City cjr
95297 Hotel Lobby  Hotel Lobby   1943 (1943) Type Oil on canvas Dimensions 81.9 cm x 103.5 cm cyf
95296 Nighthawks  Nighthawks   1942 Type Oil on canvas Dimensions 84.1 cm x 152.4 cm cyf
57009 Nightlife  Nightlife   mk250 Year in 1942. Oil on canvas, 76.2 x 144 cm. Chicago Art Institute.

edward hopper
American painter, printmaker and illustrator. He was brought up in a town on the Hudson River, where he developed an enduring love of nautical life. When he graduated from Nyack Union High School in 1899, his parents, although supportive of his artistic aspirations, implored him to study commercial illustration rather than pursue an economically uncertain career in fine art. He studied with the Correspondence School of Illustrating in New York City (1899-1900). He continued to study illustration at the New York School of Art (1900-1906), under Arthur Keller (1866-1925) and Frank Vincent Du Mond (1865-1951), but began to study painting and drawing after a year. Hopper began in the portrait and still-life classes of William Merrit Chase, to whose teaching he later referred only infrequently and disparagingly. He preferred the classes he took with Kenneth Hayes Miller and especially those of Robert Henri. Hopper s skill won his fellow students respect, as well as honours in the school where, by 1905, he was teaching Saturday classes.

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